All things birth-day, and tomorrow, the first day of school, a new year, a new life: WHAT DO YOU WANT FOR OUR WORLD, WHAT WOULD YOU TEACH, WHAT WOULD YOU HAVE BE LEARNED? And so, launched by thoughts of T.S. Eliotâ€™s birthday tomorrow, beginnings . . . beginnings . . .
Monthly Archives: September 2017
Rebroadcast: CAN I TALK YOU OUT OF YOUR WORRIES? (or do I even want to?)
Finally I saw that worrying had come to nothing.
And gave it up. And took my old body
and went out into the morning,
and sang.â€”Mary Oliver (from Swan)
Mary Oliver knows worry. Shakespeare knows worry. You know worry. I know worry. Itâ€™s what weâ€™re made of, what distinguishes us from trees or chipmunks or glorious elk or owls or stars or salamanders. Weâ€™re worriers. Own it. But weâ€™re also problem solvers, so we try to talk ourselves out of things, through things, to come up with a salve, some sort of savvy solace, something to rouse us ever onward. We need this: because hear in my morning inbox, Newsmax: 5 signs you will get cancer. Your last chance for . . . Donâ€™t miss out on . . . Beware . . . Alert! Barbara did you know that . . .always adding to the dayâ€™s To Do list, worry about this, stress here and now! But hear come our poets, our own deus ex machina, to save the day, seize it, lift and heft and hoist and heave our worry-frayed spirits into resilience. And so we slow down, hold on, hear it (hear hear!) for our POETRY SLOW DOWN, radiomonterey.com, magic4life radio, produced by Zappa Johns, with your host Professor Barbara Mossberg, on the ways poets have our ears and backs, to wit:
WHAT DO WE REALLY CARE ABOUT? POEMS KNOW. POEMS HAVE OUR NUMBER. WE CAN TAKE THEM AT THEIR WORD
THIS POEM: POETS SLOW DOWN TO CONSIDER THE QUESTIONS THAT MAKE US THANKFULLY HUMAN
Whoever Brought Me Here
All day I think about it, then at night I say it. â€¨Where did I come from, and what am I supposed to be doing? â€¨I have no idea.â€¨ My soul is from elsewhere, I’m sure of that,â€¨and I intend to end up there. â€¨â€¨This drunkenness began in some other tavern. â€¨When I get back around to that place, â€¨I’ll be completely sober. Meanwhile, â€¨I’m like a bird from another continent, sitting in this aviary.â€¨ The day is coming when I fly off, â€¨but who is it now in my ear who hears my voice? â€¨Who says words with my mouth? â€¨â€¨Who looks out with my eyes? What is the soul? â€¨I cannot stop asking. â€¨If I could taste one sip of an answer, â€¨I could break out of this prison for drunks. â€¨I didn’t come here of my own accord, and I can’t leave that way.â€¨Whoever brought me here, will have to take me home. â€¨â€¨This poetry. I never know what I’m going to say. â€¨I don’t plan it.â€¨When I’m outside the saying of it,â€¨I get very quiet and rarely speak at all.
WHAT GOOD IS POETRY WHEN YOUâ€™RE UP ON THE ROOF?
Because you are. You will be. You have been. This happens to us all. Literally and metaphorically, we all find ourselves up on the roof, a grizzly bear circling below (you hear about it in the news, but this actually happened when I was being recruited for a job in Alaska, and no, I am not writing you from my job in Alaska, although I think every day how amazing it would have been to be there with all those writers and artists and scientists and aurora borealis), the flood waters rising below (as we just have been seeing in the news this past week), people being mean to you in your life (see Steve Martinâ€™sÂ Roxanne), and in general being adrift, at sea in your life, unsettled, awash, in crisis, self-exiled, and, as you survey the scene, for this moment, safe.