RUMInating ROUX for all you rue

You’re under the weather, my friend, feeling stressed and blue! Dr. B has a potion that will do: It’s light as a feather, word flour and fat, called for when the world seems sour and flat! Just when you’re going to fall on your face, Rumi’s people run in with stretchers of grace, talking about a mighty kindness, and Wendell Berry is right there with a flighty mindfulness. You may be able to tell, evolved listener as you are, I’ve been reading Dr. Suess, beloved inspirational star, and the rhymes are coming in fast and loose. But like all dishes we need, a little of that and this, we’re stirring in Dante (in dark days in the middle of our lives), and Cavafy (who says embrace the strife and hives).  And more rich fare to air, and that is only part of what’s in store, in our toolbox, our toolkit, our wheelhouse galore, a pantry of angst whisperer and poetic roar. It’s the news feed you need, the news you heed, the news without which “men die miserably every day” (William Carlos Williams), our POETRY SLOW DOWN, with your host Professor Barbara Mossberg (aka Dr. B) and Producer Zappa (that Zappa) Johns, at barbaramossberg.com, live from Eugene, Oregon and California’s Central Coast, with notes of east coast lake district and college riverbank towns, Texas hill country watering holes, Los Angeles plains and mountain lakes, Colorado peak towns where poetry thrives. We have questions for you on our show today, and you can send them our way at drb@barbaramossberg.com, or Barbara.mossberg@gmail.com. You’ll receive—and you can write to request– our I SLOW DOWN FOR THE POETRY SLOW DOWN or NO PLACE SAFE FROM POETRY bumper sticker, because you do, and inhabit that space where poetry is welcome. And on that note, I’m grateful to you, who hear this hum, to your ear, to your being here.

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WHO IS YOUR VIRGIL? OR, WHEN YOUR SCREEN GOES PLAID

(A GOOD LOOK IN SHIRTS, NOT SO MUCH ON YOUR COMPUTER), AND DAYS ARE DARK, AND THE NEWS IS FRIGHTFUL, IT’S TIME TO LET GO THE NEWS FEED FOR THE NEWS YOU NEED: POETRY! YOU NEED TO GET OUT YOUR DANTE, WHEN YOU’RE FEELING DAUNTED, AND SEE YOUR NOBLE SELF EMERGE . . . AND WE’LL HEAR WHAT YOUTHS IN THE CLARK HONORS COLLEGE OF THE UNIVERSITY OF OREGON ON THE THRESHOLD OF THE MIDDLE OF THEIR LIVES DID WITH THEIR VERSIONS OF BEING IN HELL ON EARTH . . . WE’LL HEAR IDEAS FOR HOW TO GET BACK ON TRACK IN YOUR LIFE WITH YOUR OWN VIRGILS, POETS WHO DO RESCUES OF US HUMANS, GEN-I-US-ES WHO LEAD US UP MOUNTAINS IN MORNING LIGHT . . . And this includes poets of morning and light and mountains, so slow down, and be ready for Thoreau, John Muir, Rumi, Mary Oliver, Kay Ryan, Gary Snyder, Emily Dickinson, Marianne Moore, Wendell Berry. Brian Doyle!

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RECALCULATE: IN LIFE’S DIRECTIONS, SOMETIMES WE NEED TO REDEFINE WHAT WE MEAN BY HAPPY ENDING

From ancient drama to today’s poetry, lyric wisdom suggests (do or  die –“miserably”) that our sense of success, “home” and other destinations, and goals need to be rethought. Living is fraught with perils and defeats—or are our “defeats” really something to be re-imagined , evidence of necessary and heroic struggle? Is it brave to have a goal? How do we judge ourselves, and think others are judging us? Yes, Poetry Slow Down, we are slowing down to consider plots from Oedipus to The Odyssey, and the ways ancient and modern poets portray our lives. In these weeks we are thinking of Wendell Berry, Joanne Penn Cooper, David Denby, Mary Oliver, T.S. Eliot, Emily Dickinson, Dante, Shakespeare, Alfred, Lord Tennyson, and Oscar Wilde, weighing in on our human predicaments—brave, foolish, earnest—of identity, what it means to be human, now, and apparently always?  I’m your host Professor Barbara Mossberg, and we’re produced by Zappa Johns, so thank you for listening, as people always have, around some campfire, to poets and storytellers, sharing news of what it means to be us! Because, we live life from the inside out. We can’t see ourselves. We only see each other. Einstein—whom we consider a genius for saying e=mc2, and yes, it is a metaphor—says if you want to know about water, don’t ask a fish . . . But who else would we ask than the creature who swims in the water? Breeds, feeds, dies in it? But the fish doesn’t know water! Take it out of the water, however, and, gasping and flailing, it knows water. If we take ourselves out of our element, into the realm of other, out of ourselves, we can know ourselves. And that happens on the page, on the stage, in story for one another . . . and this is where our ancient wisdom begins, thousands of years ago, in the story of the Sphinx. So let’s slow down, you know you move too fast!

© Barbara Mossberg 2018

YOUR MIND CAN TRANSFORM A NON MOMENT OR TERRIBLE TIME INTO MOMENT AND COMEDY: Poetry Takes On the Tragedy and Comedy of Life

So Poetry Slow Down! You’re slowing down here (hear hear!) with me, your host Professor Barbara Mossberg, Dr. B, and our production team, Zappa Johns and Nico Moss: you know you move too fast! This is our time to slow down, for the news we need, the news we heed, the news without which men die every day—that idea, –that people can die miserably without the news of poetry, is by William Carlos Williams. But he’s a poet, Dr. B! Of course he thinks that! You’re right, of course, evolved listener, but he was also a physician, seeing patients during the day. He’d go home at night, with memory blood on his hands, and write poems on prescription pads, to save his life, and his patients’ lives—and all of our lives. Yes, he is the one who wrote, so much depends upon a red wheel barrow glazed with rain water beside the white chickens. That’s the whole poem, and he’s claiming that things matter, that they are amazing, the view out the kitchen window, the weedy yard, and for that to happen, to see blaze in raindrops, there’s this eye and mind and heart: the truth that we’re each this cauldron of emotions, that in us is so much greatness of heart, of great feeling, magnitude of feeling, longing, emptiness, tragedy and pain, worry, a sense of importance of our lives, and the most innocent innocuous little things . . . well, there are no little things. Everything matters—as humans, we are triggered by anything, anything in this world, that invokes our ability to care. O, being human! What a piece of work we are! To quote the Bard–

This past week I was thinking about drama—our lives as drama, and what poetry and drama make of it . . . and I wanted to share with you what I was saying to our community, in the Insight Seminars at the University of Oregon, and Osher Institute of Lifelong Learning,

It can be that drama is the most natural of all literary arts—it’s just us, being ourselves. Think of a conversation, not even a conversation, just talking to someone, in person, on the phone—you may have had this morning, perhaps on the way here. What were those words? What happened? You’re going to say now that’s not drama, that’s not art, that’s just …normal life.

Now what happens if you imagine that exact scene, and us watching it? All of a sudden, moments that may have been charged, or maybe that seemed inconsequential, are full of portent, meaning, significance. Through the lens of our vision, they become art. Workaday language we use to order a latte or draft beer or kombucha or say goodbye to our partner or ask who’s seen your phone or to say debit card or I love you or it’s time to take out the garbage become, on stage, art. Drama–tragedy and comedy–provides stage directions for our experience of life’s stages. What did Oedipus learn from the Sphinx? We will engage fierce and funny lifesaving wisdom on aging as we read examples of bravery, foolery, and panache in these and other plays and stage monologues:

Author! Author! Who’s writing our lines? We live our lives from the inside out. Only on the stage page is our human experience visible if not also perceived as meaningful, noble, tragic, and yes, comic. Osher Lifelong Learning, yes: as we seek wisdom for sustainable life, we’re reading together a few fierce and funny famous plays that spotlight the most precious, challenging aspects of our human journey, and give us insight into the age-old wisdom of this dynamic literary form. Facing life’s drama, what is seen about our lives in Oedipus, the Salesman, Blanche, Cyrano, Quixote, Lettice Douffet? From T.S. Eliot to “Hair,” we’ll see drama making tragic and comic hay of our inner Hamlets (and secret Prufrocks).

So slow down, and we’ll stage right now for your ears how drama illuminates what’s to laugh, cry and sigh about when the worldgets you down–or, the Tragedy and Comedy of our Curtain Fates. Thank you for joining me in the wings, and I would love to hear (hear! Hear!) from you, at bmossber@uoregon.edu. Yours truly, Dr. B

© Barbara Mossberg 2018

FELLOW MORTALS—Goats and Sheep, for a GOAT SONG: A Path Through Songs, Stories and Poems about Goats and Sheep, and Who Knew Where It Would Lead?

In fact it leads to heartwarming knowledge about our own humanity! And we need to hear this! Now! So we’ll slow down to take that windy path where goats go, lambs gambol. I’m your host Barbara Mossberg, with this ministry of sorts, to bring the words we use and think in and express love in and order coffee with, to appreciation of who we are, and what we’re doing on this life journey together on earth. We’re produced by Zappa Johns, who is on the Central Coast, and you, dear listener, are on a lake, on a ranch, in a loft, and we’re connected in this very moment by sound waves as in days of old, when we sat around campfires and told each other our stories.

Sheep, Goats, and Fellow Mortals

In our show today, as we slow down and savor texts that mean something encouraging in our lives, fire our conscience, light our consciousness about the gift of consciousness on this earth, we consider our age-old human love for sheep and goats—eating, yes, our Homer readers will remind us, but also as pets, and as fellow journey companions (think of the role of the shepherd in our human experience). In this lens, we will hear some of our greatest writers hold forth with compassion, with empathy, for what Robert Burns calls “our fellow mortals.” We’ll hear excerpts from John Muir’s “Stickeen,” one of the best dog (and glacier) stories ever written, and poetry of Mary Oliver, D.H. Lawrence, Lawrence Ferlinghetti, Eugenio Del Andrade, Naomi Shihab Nye, Aaron Fogel, Robert Service, e.e. cummings, Jane Yolen, some folklore history, and two books out there that are companions to the great Gerald Durrell of My Family and Other Animalsfame, Carole George, The Lambs: My Father, a Farm, and the Gift of a Flock of Sheep, and Goat Songby Brad Kessler, books that started me on this goat path, and we end with Billy Collins, who reflects on the printing history alleging that one Gutenberg Bible requires 300 sheep skins. Yes, sheep skin—what we write on. It’s very complicated, this relationship we have with our fellow mortals (if we dare call them that after eating them and making them paper).

We begin with Barry Lopez’s “Everything is held together with stories. That is all that is holding us together, stories and compassion,” and reflect on Emily Dickinson (of course) and her poem on the Clown beholding this earth as “tremendous” and “a whole Experiment of Green” even though he doesn’t own it. Let’s slow down now to follow this goat trail and consider how efforts as human beings to be compassionate and extend our imaginations to the idea that denizens on earth are fellow mortals. Happy morning to you—Yours truly, Barbara Mossberg

© Barbara Mossberg 2018

THE PLATED SELF: ON BEING TASTY–The Noble Fate or Great Misfortune of Being Tasty, as reflected on in poetry

To eat or to be eaten, or both? That is the question. Life and death. What is our human fate and purpose? These are large questions, indeed, and poetry has some answers to get us slowed down in these hurtling days where we are going too fast to notice all that’s here, to sense the sensational, to pay attention, as Mary Oliver says, to be astonished. . .

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