Does anybody really know what time it is? Drat Daylight Savings—or bless this conundrum? Who can say. The Poet can say, says Ralph Waldo Emerson. Emerson waxes forth in Crystal Blue Persuasion, in purple prose effusions, on a new day rising, the pros for daylight savings. Thoreau follows suit. Poet after poet wants to have a word with us. Wordsworth weighs in, Marvel, Milton, W.S. Merwin, Cesar Pavare, Louise Gluck, James Tate, Derek Wolcott, Wendell Berry, Kabir, Chuck Tripi, Ric Masten, Mary Oliver, your host, Dr. Barbara Mossberg, all in favor of daylight savings (also, T.S. Eliot, Cold Play, Bob Marley). Not sure and keeping a philosophic equanimity are Dorothy Parker, Edna St. Vincent Millay, Yogi Berra, Marilyn Monroe, and Groucho Marx. We get notes of Roethke and Gerard Manley Hopkins, Goethe, Ibsen, Benjamin Franklin, and Professor Mossberg’s father and mother-in-law. It doesn’t get better than this, on a mellow Fall day, to slow down with The Poetry Slow Down: you know you move too fast. Make the morning last and save the day by communing with poets. Rumi says the “new rule” when “everywhere is falling everywhere” is to “break the wineglass,/And fall toward the glassblower’s breath.” When we fall, Rumi says, we find something shining. Hopkins concurs (think: “flame out like shook foil”). Fall is the time to start anew in the creation process., to dig deep, for processes of renewal and restoration. Give yourself time for those like Rumi who slowed down, took the time to fall down, to get it down, who worked it up and down, worked it out, to light a way, delight our way to see and know, think and feel. Falling back for Fall: today we’ve got it all! We’ll spend this saved morning hour considering what the poets have to say about daylight and savings, and if we save light in our day, how do we spend it, or do we get interest?
We’ve been engaged in a Poetry Slow Down series in which we consider lifesaving, life-thriving poetic philosophies of life, considering how our light is spent. Of course we discuss Restore Hetch Hetchy and W.S. Merwin’s restoration commitments, and Professor Mossberg’s experience at the Inaugural Reading at the Library of Congress and delivering congratulations from this remarkable poetry community. We still don’t get to the points of view of those with four legs or eight legs, but stay tuned, and we’ll continue our series with the Hospitaliad, and Attitudes of Gratitude, and the sonnet problem-solving workshop, and the Emily Dickinson birthday celebration, all coming up, so set your watches whichever way– Thoreau says it doesn’t matter what time it says as long as it’s morning. We’ll go with Thoreau, because you can listen to this show anytime and morning is yours for the listening. Thank you and please write comments to firstname.lastname@example.org.
Here’s an excerpt from Dr. Mossberg on the theme of falling for a time of year that is regenerative, restorative, and reviving—if we look at nature which is never “spent”:
This Time Is Not Sailboat Without Wind
What did Eliot say, wait without hope. Then Einstein. If e=mc2, waiting is patience. Patience is suffering (ergo “patient’s” two meanings). Frankl said: Strive to deserve our suffering. Think cross legged guru on mountain impossible to get to. With winds howling and no water. It is a feint. The winter trees. It seems like nothing is going on or worse. A time in between, the time you already think of as before. But it is when it is all happening. The later shoots and blossoms and fruits are just by-products of this period, signs it happened. The generative fantastic work, roots in soil, nurtured. You are this winter tree. And when you are doing all that you will do, the fruits and sensational flowers and the squirrels who can’t get enough of you and the birds clamoring for you, and clouds making state visits, and a raccoon or two, worms and butterflies think you are the thing indeed, and moss hangs around, you’re grounded, what you know is that it was all those months when it was storm. When you were tattered, leaves left you in droves, you had nothing for anybody, and all your beauty was whooshed. When you stood there exposed. When it looked like it was nothing happening and there was nothing there to see. That it was over. This was the time. This was the time during. This was the good time. c Barbara Mossberg 2010